Showing posts with label Weinstein. Show all posts
Showing posts with label Weinstein. Show all posts

Thursday, 4 July 2013

Few Options for Weinstein Co. in Wake of MPAA 'Butler' Ruling (Analysis)

Forest Whitaker on the set of 'The Butler'
Tuesday’s ruling in an MPAA title registration arbitration puts the Weinstein Company in a quandary. As The Hollywood Reporter reported, the arbitrators held that the Weinstein Company could not use the title “The Butler” on its upcoming film because that previously served as the title of a 1916 short film that now belongs to the Warner Bros. library.

In response, the Weinstein Company issued a statement from veteran Supreme Court litigator David Boies that said, “The suggestion that there is a danger of confusion between TWC’s 2013 feature movie and a 1917 [sic] short that has not been shown in theaters, television, DVDs, or in any other way for almost a century makes no sense. The award has no purpose except to restrict competition and is contrary to public policy.”

We don’t know if Boies is quoting from the arbitration ruling – those documents aren’t public and neither Warner Bros. nor the Weinstein Company would supply a copy to THR – but “danger of confusion” isn’t the test under the MPAA system: identicality is (or, in some cases, similarity). Here, the titles are identical. Protection is generally perpetual; in some cases, the duration is only four years, but that doesn’t seem to be at issue here. The TRB does have an appeal process, but the rules for challenged titles are the same on appeal as in the initial process.

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None of that bodes well for the Weinstein Company. But what about Boies’ comment that the award restricts competition? That’s an antitrust argument, and at first glance it has some allure. Surely federal antitrust law – passed by Congress and enforced by agencies and judges – places some limits on what a mere industry association can do?

Actually, not so much, it seems. That’s because another law, the Federal Arbitration Act, requires judges to defer to arbitration agreements, such as the agreement that companies agree to when they sign up with the MPAA’s Title Registration Bureau (TRB). Says the 1925 statute, “A written provision in any . . . contract evidencing a transaction involving commerce to settle by arbitration a controversy thereafter arising out of such contract or transaction ... shall be valid, irrevocable, and enforceable, save upon such grounds as exist at law or in equity for the revocation of any contract.”

In recent decades, the Supreme Court has interpreted the FAA expansively, with the conservative majority on the Court using the statute to allow large companies to divert claims out of the court system and into arbitration. In many instances, that’s favored companies at the expense of consumers and employees, since it keep cases out of the hands of sympathetic juries, and frequently bars class actions as well.

It turns out that the Court’s latest case in this line of precedent was decided less than two weeks ago – and it involved an antitrust claim.

In the case, American Express Co. v. Italian Colors Restaurant, the plaintiff restaurant alleged that “American Express used its monopoly power in the market for charge cards to force merchants to accept credit cards at rates approximately 30% higher than the fees for competing credit cards.” The restaurant asserted that this was a violation of a key antitrust law, the Sherman Act, and brought a class action.

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Citing the FAA, Amex sought to enforce the arbitration clause in its merchant agreements, which also included a prohibition on class actions in arbitration. The restaurant countered that enforcing this prohibition would effectively strip it of its rights, because the case would be too expensive to bring on an individual, plaintiff by plaintiff basis. Expert witness fees alone would be in the hundreds of thousands of dollars at a minimum, whereas the most the restaurant stood to recover if it won a non-class action case was about $38,000.

By a 5-3 vote (with one Justice not participating), the Supreme Court turned away the restaurant’s objection. As a result of the FAA, said Justice Scalia for the majority, “courts must ‘rigorously enforce’ arbitration agreements according to their terms. . . . That holds true for claims that allege a violation of a federal statute, unless the FAA’s mandate has been ‘overridden by a contrary congressional command.’”

The decision then found no such contrary command in the antitrust laws as regarding class actions. Regarding the underlying substantive issue – the alleged antitrust violation – the decision said, “so long as the prospective litigant effectively may vindicate its statutory cause of action in the arbitral forum, the statute will continue to serve both its remedial and deterrent function.”

That may give Boies an opening, because the TRB rules don’t provide a mechanism for challenging the system itself on antitrust grounds (or any grounds at all). But the Supreme Court decision includes a dissent (by Justice Kagan) that, ironically, works against such an argument: “If the arbitration clause is enforceable, Amex has insulated itself from antitrust liability – even if it has in fact violated the law.”

STORY: The Butler' Battle Escalates Weinstein Co. Hints Lawsuit, Raises Antitrust Warning

In other words, even an arbitration clause that snuffs out an antitrust claim will be upheld by the conservative majority on the Court.

As THR reported, Boies also argued in a letter to Warner Bros. on Wednesday that Warners had agreed to allow the Weinstein Company to use the title “in return for certain contributions that TWC agreed to make.” A source familiar with the dispute rejects the notion that there was any deal. That’s the sort of he-said she-said that a court is likely to say the Weinstein Company should have raised with the arbitrator. Perhaps it did so – in which case it evidently lost the argument. A court is unlikely to revisit the issue.

That all would seem to make a suit by the Weinstein Company against Warners a long shot at best. What about suing the MPAA? Boies wrote them on Wednesday too, saying “To the extent that the MPAA in concert with its members seeks to ‘permanently protect’ titles where there is no plausible claim of possible confusion, and no claim of actual damages, such an attempt would be a naked restraint on trade in violation of the anti-trust laws.”

But there are problems here. The TRB rules include a waiver of damages against the MPAA, TRB and related entities. That doesn’t preclude seeking an injunction against the rules, of course.

Even an injunction seems unlikely, though, because the Weinstein Company voluntarily and knowingly agreed to the arbitration process when it signed onto the TRB. And the Weinstein Company received a benefit – its own titles are protected from reuse by other TRB signatories and by MPAA members.

In essence, a suit against the MPAA is an attempt to make an end run around an unfavorable arbitration award. That’s exactly the sort of thing courts disfavor, as the 9th Circuit (the federal Court of Appeals that includes California) pointed out in a case involving a challenge to WGA credit arbitration, Marino v. Writers Guild of America.

Stepping back for a moment, it’s not even clear that an antitrust claim would have legs. After all, the arbitration award doesn’t prohibit the Weinstein Company from releasing its film; it just has to do so under a different name. That’s a restriction, of course, but intellectual property laws – and IP-related contracts – always impose restrictions. They provide monopolies of various sorts to the IP owner.

Boies and the Weinstein Company may have arguments to counter this point, but whether they’ll be able to get a court to even consider those arguments seems like a long shot. Arbitration may sometimes be a bed of nails, but under Supreme Court precedent, if those are the accommodations you agreed to, the courts won’t provide a mattress later.

'The Butler' Battle Escalates: Weinstein Co. Hints Lawsuit, Raises Antitrust Warning

An image from Lee Daniels' 'The Butler'
The battle over whether Harvey Weinstein can call Lee Daniels' upcoming White House movie The Butler escalated Wednesday as the Weinstein Company's superstar attorney David Boies fired off letters to Warner Bros and the MPAA threatening litigation.

In an arbitration, the MPAA's Title Registry Bureau ruled Tuesday that TWC could not use the title, because it's also the name of a preexisting 1916 short film that now resides in the Warner Bros. library.

As a signatory to the MPAA's Title Registration Bureau, Weinstein is bound by the arbitrator's ruling. The movie mogul might not like the fact that an arbitrator gave Warners the rights to The Butler, but judges are loath to do anything but confirm arbitration awards.

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With the success of an appeal looking unlikely, and with TWC facing $25,000 worth of daily fines if it continues to advertise the film as The Butler, Boies is now speaking about a lawsuit. Possible claims could include extortion, misrepresentation and antitrust violations.

The letter to Warner Bros' general counsel hints at some of the discussions that preceded the title dispute.

"I am informed that Warner Bros. represented to, and agreed with, TWC that TWC would be permitted without objection by Warner Bros. to use the title “The Butler” in return for certain contributions that TWC agreed to make," writes Boies.

According to TWC COO David Glasser, "We had the title of The Butler and we had spoken with Warners along the way. Our head of distribution and their head of distribution had an agreement. But then we became involved with another piece of business with Warners, and suddenly we were told there was a conflict, and so we went to arbitration." He would not comment on what other business dealings had been taking place.

Other sources paint a different picture, claiming that TWC began using the title in September, 2012 and attempted to register it with the MPAA in November, but the request was declined. Annoyed that TWC was moving forward with the title without the necessary clearances, Warners told TWC it couldn't use the title in March and then sent a cease-and-desist letter in June, all of which led to the arbitration. As for the suggestion that an earlier agreement had been reached, one sources familiar with the dispute says, "There was no deal. That is false."

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In his letter, Boies continues, "I am further informed that after TWC had relied on these representations and agreement, Warner Bros. repudiated those representations and agreement and sought, in concert with the MPAA, to prevent TWC from using its title."

Asked whether in order to resolve the matter quickly, TWC would consider renaming the film, which stars Forest Whitaker and is based on the true story of Eugene Allen, who spent 34 years working at the White House, Glasser said, "I have Lee Daniels' The Butler registered. I have The White House Butler registered. But what is so insane is that we've been told we can not use any version of the worlds 'the butler.' That part blows our minds."

Boies' second letter to the MPAA is even more direct about the potential antitrust claims.

"To the extent that the MPAA in concert with its members seeks to 'permanently protect' titles where there is no plausible claim of possible confusion, and no claim of actual damages, such an attempt would be a naked restraint on trade in violation of the anti-trust laws," writes Boies.

The MPAA did not immediately respond to requests for comment. Of course, the MPAA's arbitration system doesn't use the same standards set up in trademark law to measure the likelihood of consumer confusion about the source of a mark. If it did, the outcome might have ended up differently. Now the question is whether The Weinstein Co. can allege with specificity enough funny business before the initiation of the arbitration claim.

In the meantime, the two companies are locked into a public relations stand-off. Warner Bros. risks looking as if its playing the spoiler, while Weinstein runs the risk of looking like the same man who has repeatedly cried foul over movie ratings.

Friday, 28 June 2013

Steven Spielberg, Harvey Weinstein Side with France in Free Trade Talks

Blue is the Warmest Color Still - H 2013

This story first appeared in the July 19 issue of The Hollywood Reporter magazine.

Those who like to view France as a cultural bastion against the crass commercialization of Hollywood have reason to cheer.

An effort by French and European filmmakers, including Oscar winners Michel Hazanavicius, Pedro Almodovar and Michael Haneke, has succeeded in keeping Europe's heavily subsidized film and TV industries off the table in free-trade talks between the U.S. and Europe, set to start July 8 in Washington.

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While Hollywood sees French subsidies and cultural quotas as an obstacle when it comes to competing in that market, such vocal advocates as Steven Spielberg and Harvey Weinstein, in solidarity with fellow filmmakers abroad, have supported the French position. Without those subsidies -- about $1.3 billion a year in France alone -- supporters say art house films such as Amour or this year's Cannes Palme d'Or winner, Blue Is the Warmest Color, would be impossible to make.

But Europe's true trade battle is about cyberspace, not celluloid. Europeans increasingly are watching films and TV online, served up by the likes of Google, Apple or Amazon and other digital operators. And because of that, France wants a new tax on smartphones and tablets to help fund French movies.