Showing posts with label Warner. Show all posts
Showing posts with label Warner. Show all posts

Monday, 22 July 2013

Bill Warner, Who Set Speed Record on Motorcycle, Dies at 44

As spectators looked on, Mr. Warner roared off on his blue Suzuki Hayabusa, a customized, fiberglass-swathed model muscled up with a 1,200-horsepower engine. About 4,000 feet down the track, after he had hit 285 m.p.h., the motorcycle veered to the right — the direction drivers usually turn if something is awry — headed into the grass and fell on its side, tossing Mr. Warner. Their speed had been so great that both man and machine slid, separately, for hundreds of feet.


Mr. Warner, though conscious after the crash, died a short time later at a hospital in Caribou, Me., said Tim Kelly, race director for the Loring Timing Association, which administers land speed events at the base. Mr. Warner was 44.


The police were investigating the accident, Mr. Kelly said.


Before Mr. Warner broke the record in 2011, the only way motorcyclists could go faster than 300 m.p.h. was by lying nearly flat on their backs inside a completely enclosed, custom-made streamliner bike — as much a rocket as a motorcycle. Streamliners are designed by teams of aerodynamics experts and engineers and can cost millions of dollars. Some have approached 400 m.p.h. in speed trials.


Mr. Warner competed in the conventional motorcycle class — a far more cost-effective one. But for its extensive modifications, his Suzuki could have been purchased in a showroom.


He began reconfiguring his bike in 2010. He replaced virtually the entire engine and converted it to run on methanol, which has a higher octane rating and burns at a lower temperature than gasoline. That allowed him to remove the bike’s heavy cooling unit.


He stretched the aluminum frame, added carbon-fiber wheels and built a fiberglass fairing, or aerodynamic cowl, by hand. He also added a turbocharger, which he called “ginormous” in an interview with The New York Times’s Wheels blog.


“People don’t even put that size on big trucks,” Mr. Warner said.

When he finished, he had increased the bike’s horsepower, originally 160, more than sevenfold.

William W. Warner was born on Feb. 11, 1969, in Little Falls, N.Y. He attended the University of Tampa, where he studied marine biology and chemistry. He lived in Wimauma, Fla., southeast of Tampa, where he ran a tropical fish business. His survivors include his parents, a brother and a sister.


Mr. Warner did not consider going more than 300 m.p.h. on a motorcycle especially unnerving. “It was very calm,” he told The Bangor Daily News, referring to his record-setting event in 2011.

Braking proved more challenging.


“The bike was bouncing, hopping, skipping and sliding,” he said. “It was a little scary.”

His record remains unbroken.


“I will be very frank about this,” Mr. Kelly said. “No one will touch Bill’s record in our lifetimes.” 

Thursday, 4 July 2013

'The Butler' Battle: Director Lee Daniels Pleads His Case To Warner Bros.' Kevin Tsujihara


Further ratcheting up the Weinstein Company’s campaign to force Warner Bros. into granting it permission to call its upcoming Lee Daniels’ film The Butler, the director has sent a letter to Warner Bros. Entertainment’s new CEO Kevin Tsujihara in which Daniels argues that if TWC has to change the movie’s title “it will most certainly hurt the film.”

On Tuesday following an arbitration, the MPAA’s Title Registry Bureau ruled that TWC could not use the title because it’s also the name of a pre-existing 1916 short film that now resides in the Warner Bros. library.

In response, attorney David Boies, who is representing TWC in the dispute, fired off letters to the MPAA and Warners earlier Wednesday threatening litigation.

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Daniels’ letter takes a different tack, pleading his case by describing the film, which stars Forest Whitaker and is based on the true story of Eugene Allen, who spent 34 years working at the White House until he retired as head butler, as a film he made “so I could show my kids, my family and my country some of the injustices and victories African-Americans and their families have experienced in the fight for Civil Rights.” The movie, he continued, “tells the story of the Civil Rights Movement from the sit-ins and the Freedom Riders, to Selma, Martin Luther King’s assassination and the election of the first Black president.”

Daniels wrote that while working on the film “is the proudest moment of my professional career, I am heartbroken as I write this letter.” He explained that the modestly budgeted movie is not intended to be a blockbuster and “if we were to change the title a mere six weeks before we open, it would most certainly hurt the film by limiting the number of people who would ultimately see this important story.”

Offering to screen the movie for Tsujihara, Daniels said, “I truly believe that once you watch it, you would not want to cause this film any harm.”

Daniels concluded the letter by adding he has the support of its stars Whitaker, Oprah Winfrey, Cuba Gooding, Jr., and David Oyelowo as well as screenwriter Danny Strong. Copies also were sent to Warners executives Sue Kroll, Greg Silverman and Dan Fellman.

Friday, 28 June 2013

Warner Bros. Nabs Rights to YA Novel 'The Young World' (Exclusive)

Chris Weitz Portrait - P 2012

After a heated auction Friday, Warner Bros. won a bidding war to secure the rights to The Young World,  the first in an original trilogy of post-apocalyptic YA novels by filmmaker turned novelist Chris Weitz.

Weitz will adapt the books and also will direct and produce from his original novel, which will be published in 2013 by Little Brown. Depth of Field will produce, along with Andrew Miano.

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The books center on teenage survivors who inherit a destroyed and desolate earth, after a cataclysmic event kills off every person on earth not between the ages of 12 and 21.  Ill-equipped to restore society to working order, the surviving residents of New York City must try to rebuild their world from the ground up.

Weitz directed the film adaptation of the novel The Golden Compass, a major international hit, and the film adaptation of New Moon from the series of Twilight books (the film grossed more than $700 million worldwide).  Weitz most recently directed 2011's A Better Life, for which Demian Bichir was nominated for a best actor Oscar.

Chantal Nong brought the project into the studio and will oversee with Lynn Harris.

Weitz is reposed by WME and attorney Alex Kohner of Morris Yorn Barnes & Levine.

Follow me on Twitter @sajilpl

Tuesday, 25 June 2013

Warner Bros., Legendary End Talks to Renew Pact

One of Hollywood’s most successful movie partnerships has come to an end as Legendary Pictures and Warner Bros. have broken off negotiations to renew their production and co-financing arrangement, according to sources.


Legendary has been in talks with Warners about a renewal of their deal, first negotiated in 2005, while also holding discussions with other studios, most notably Universal and Sony, about moving their operations there.


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On Monday, both Warner Bros. and Legendary Pictures declined to comment on the status of their negotiations.


In recent months, Legendary founder and CEO Thomas Tull is said to have spoken to other studios before paring down his list to Universal and Sony.


NBCUniversal is seen as especially promising because it not only has movie distribution but also an extensive television operation. Legendary recently hired former Warner TV head Bruce Rosenblum to run its TV operations, signaling that it is planning a major expansion.


Although they have had success with Legendary financing a significant portion of big-budget Warner Bros. movies, including Batman Begins, The Dark Knight, Man of Steel and The Hangover, both companies have different agendas at this point.


Legendary has been increasing the percentage of ownership in such movies as the upcoming Pacific Rim and 300: Rise of an Empire. Legendary was the sole financier of 42 and of the upcoming The Seventh Son. It also funded 75 percent of Pacific Rim and the upcoming Godzilla.


Legendary also has developed a number of its own movie projects, including Warcraft and Hot Wheels – with budgets expected to top $100 million each.


Tull wants to be more involved as a producer and not just be a passive financier, according to sources. He wants to be consulted on everything from the script to the marketing in a much more intense way than he has at Warner Bros.


Meanwhile, Warner Bros., according to sources, is looking to take complete ownership of movies made from its DC comics franchise as it did with the Harry Potter films, rather than splitting the revenue in return for co-financing.


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Warners still has a co-financing arrangement with Village Roadshow, which recently was refinanced with more than $1 billion, and reportedly is looking to raise additional capital through an arrangement to be led by Bank of America and Merrill Lynch.


Warner Bros. also wants out of a situation where Legendary has the right to cherry pick which of its movies to finance. Other slate deals at studios typically include investments in a wider range of movies.


Warner Bros. had a right to match any offers Legendary got from other studios but now apparently has walked away from any deal.


The news that Legendary will not renew its pact with Warner Bros. comes on the heels of the departure of Jeff Robinov as head of movie production. Warner Bros.' new chairman, Kevin Tsujihara, reportedly met with Tull, but they were not able to reach an agreement.


Legendary has been preparing for this split for months. It raised $443 million in capital in December and has a $700 million credit facility set up in 2011.